I make abstract paintings through a slow, attentive studio practice. Forms appear, soften, and sometimes disappear, without needing to resolve into a clear story.

I work intuitively and return to paintings over multiple sittings, allowing time, revision, and restraint to shape the surface. Color and gesture respond to pressure, hesitation, and intentional touch. I’m interested in how a painting can hold experience without directing it and how it can remain open enough for someone to enter without being told what to feel or see.

The work is meant to be lived with, asking for presence. Over time, the paintings may register differently, reflecting shifts in attention rather than fixed meaning. This way of working mirrors how I move through relationships and the world more broadly: listening, staying with uncertainty, and allowing things to take shape without forcing their resolution.